
But in other cases, the motivation behind some of these illustrations and playthings is not immediately obvious. Why do the creators of most of my daughter’s books feel like it’s necessary to give smiles, wide-eyes, and blushing cheeks to the sun or a grouping of cumulus clouds? What value is there in making unworldly balls of flaming gases so amicable and adorable? I don’t expect my daughter to have an interaction with the sun (or any of the other stars, for that matter) in which a cold, arms-length distrust would be a gross disservice. The same goes for clouds that stare out at her with a rosy-red complexion and long eyelashes. (I’m not all that concerned that she’ll develop an unhealthy, introverted ambivalence to mundane meteorological fixtures.)
Today I noticed that Josephine has a large toy tape measurer. It’s misshapen, rectangular and orange – not all that unusual for child-like replicas of real-life objects. However, Fisher-Price decided to endow the tape measurer with eyes. And to be honest, that’s not all that offensive, even though I’d be materially disturbed to buy anything from Home Depot and find it had eyes after peeling back the packaging. The real oddity of this toy tape measurer is its over-sized cowboy boots. Is it just that I’m totally oblivious to some indisputable value in portraying common household tools as bronc-busting, gun-slinging wayfarers? For what exactly does that prepare our children?
It gets you thinking about the many cars that have been given faces and personalities (and all the ebullient films about them). Herbie, all the sequals and remakes of the Love Bug franchise, Knight Rider, the Pixar animated movie Cars. Maybe it's an obvious (and obviously conspiratorial) point to say these are the building blocks of "customer delight" so well-ingrained in our nascent consumers.
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